Thursday, March 28, 2013

Book Review - The Dark Threads by Jean Davison

Hi.

I haven't done a book review in a while, so I decided that this one was incredibly worthy of a post. I've had a strange fascination with old hospitals from a young age - I've always been intrigued by them. A while back, I came across a website devoted to High Royds, a former psychiatric hospital in West Yorkshire. I desperately wanted to read an account from someone who had been a patient there - I found this book and immediately ordered it on amazon.


The true story of how a bright teenager was transformed into a zombie thanks to a cocktail of drugs and electric shock treatment for an illness she never had.

Jean Davison lost years of her life when doctors misdiagnosed her mental state as chronic schizophrenia.

Sucked into the psychiatric system, she lost her job, her boyfriend, and all self-esteem. But eventually she managed to break free.

Told with humour and insight, using extracts from her medical case notes, Jean's memoir raises disturbing questions about psychiatric treatment in the sixties and seventies, which are still relevant today. Her story offers hope to others.

Jean Davison was voluntarily admitted to High Royds in 1968 at the age of seventeen. She had been questioning her faith, her life, her environment, found it hard to deal with her lack of confidence in making friends, and questioned what direction her life was going in. Having spoken to a psychologist, she agreed to his suggestion that "a week of rest and observation" in High Royds would do her no harm.

Nine days later, Jean was receiving ECT (Electroconvulsive Therapy) and had been heavily drugged for supposed schizophrenia since she had been admitted. The months passed, and Jean became increasingly disillusioned with the treatment she was being given and the psychologists who supposedly knew best. She entered the hospital a bright, pretty, albeit very shy, girl, three days after attending a disco with her friends. She left it as a day patient months later, almost two sizes heavier, covered in boils, and drugged up to her eyeballs. It took another 3 and a half years for her to finally break free of the treatment for an illness she never suffered with. 

The book contains some notes from Jean's doctors at the time - information not revealed to her at the time of her treatment. It's an absolutely fascinating account - it's just unbelievable how Jean was treated without any actual diagnosis. If anything, her brother appeared to be in need of some kind of therapy. Her family life wasn't ideal by anyone's standards, but at the back of it we do get the sense that for all the hassle they caused her, her parents did care in their own way. What is amazing is that her family life wasn't considered as a potential cause for some of her problems in any way until years down the line.

Jean's accounts of trying to adjust to life outside the hospital are at times heartbreaking - her crippling shyness made it hard for her to endear herself to others, often being mistaken for being snobbish. One of the most touching conversations in the book was only a couple of lines long - between Jean and Arnold, a patient at the hospital.

On my first day back at the day hospital I sat in the armchair next to Arnold who immediately made the effort to turn and speak to me.

"Are you feeling better now, Jean?" His words came out laboured but clear.

"Yes, thank you, Arnold."

"Good. I am pleased."

Arnold, who spent his time sitting mutely staring into space. Arnold, who had great difficulty in speech and movement. Arnold, who had more reason for despair than I had ever known, had remembered my name, noticed my absence and shown concern for my welfare. Dear Arnold.

As we can tell from the fact that she has written this account, Jean did manage to regain control of her life and finally began to live it. From her own words at the end: 

The most frightening thing about what happened to me is that most of it could still happen to a young person, or indeed anyone, today. I was a casualty of the narrow medical perspective of conventional psychiatry. With almost no knowledge of me or the context of my life, psychiatrists swiftly began treatment for what their training told them was an illness requiring brain-changing drugs and ECT. 

That's a scary thought - have we all not, at one time or another, sat down and wondered what we were doing? Where we are going? Who we really are? I know it's unlikely now that someone presenting to a GP or psychologist with a crisis of faith or identity will be admitted to a psychiatric ward, but it is the case that more and more people are being prescribed drugs to deal with different situations. It would make you wonder if sometimes the pills are doled out as a first response rather than a last resort  (and without full disclosure of side effects).

Jean doesn't dismiss the use of modern medicine in the book, nor do I, but I was genuinely shocked to discover (statistic from a different source, not the book) that over 300,000 people in Ireland are currently taking a form of anti-depressant tablet. ECT is also still used. 

An extremely thought-provoking read.




Wednesday, February 27, 2013

Book Review: New Town Soul by Dermot Bolger

Hi!

Bad blogger, blah. I know. I haven't had time to pee, never mind polish lately. I do have some swatches for you, but I'll save them for their own post later on in the week. For now, I have a book review - it's New Town Soul by Dermot Bolger.

[Source: http://www.dermotbolger.com]

First, as usual, here's the back cover spiel:

Shane is Joey's new best friend, with a personality for every occasion and a strange sense of recklessness. Joey longs to get close to Geraldine, but she won't have anything to do with him while Shane is around. Is Geraldine right to suspect that Shane is weaving a net of evil around them? And who is the strange old man who seems to know more about Shane than anyone? What secret will Joey unearth in a derelict house in Blackrock? 

New Town Soul is a supernatural thriller in a very real world - it is about the freedom of being young and the enslavement of being immortal.

Dermot Bolger is an Irish author, playwright & poet. Published in 2010, this was Bolger's first foray into teen fiction. I use that term very loosely, because I didn't find this in any way juvenile or aimed strictly at teenagers. As a stand-alone novel, I found it completely enthralling and read the entire thing in one sitting (and I'm definitely not a teenager).

A supernatural thriller set in Blackrock in modern times, the story is mainly told from the point of Joey Kilmichael, a young lad who has recently changed schools due to being bullied for following in his late father's path by writing and singing his own songs. When Joey arrives at his new school (having done all the prerequisite facebook stalking beforehand to find out what his new classmates are like) he has already decided that there will be nobody there who shares his interests and has all but dismissed everyone. On his first day there, however,  his attention is turned to two people - shy, beautiful Geraldine, who intrigues him instantly, and wild, rebellious Shane, who can command the attention of anyone in the room.

Joey befriends both Shane and Geraldine, but has very different friendships with both. Shane brings out Joey's wild side, encouraging him to have new experiences and face his fears. Geraldine's friendship is more of a deeper, thoughtful one. Geraldine confides in Joey and tells him some information about previous experiences with Shane, and explains why she is less than enamoured with him anymore. As time goes on, Joey becomes more and more suspicious of Shane, wondering if his initial desire to be considered his quiet sidekick was misplaced. The appearance of strange old man Thomas doesn't help - why does he seem to have an unquenchable interest in Shane and Geraldine?

As mentioned, the book is set in Blackrock - now I'm not from Dublin, but I was drawn into it while reading this. Mentions of Bull Island, the Hellfire Club and other instantly recognisable local landmarks make this a very easy story to read. Some of the more supernatural suggestions in the book were ludicrous but yet I still didn't find the book too fantastical to enjoy. Anyone familiar with the legends and stories surrounding the infamous Hellfire Club will have heard of experiences and tales not too dissimilar to some here, which grounds the story in a way and stops it from crossing over into the ridiculous.

By page 40, I did have a fair idea that I'd figured out what the big secret was (and I was right) but I still didn't have a notion how it was going to pan out. The book is written in short, snappy chapters, each one focused on one of the main characters. Only Joey's chapters are written in the first person, and Dermot Bolger did a fantastic job of writing from the POV of a 16-year-old boy.

I'm really glad I picked this book up in the library - being 100% honest if I'd seen it in the teen fiction section I probably wouldn't have gone near it, purely based on that label. It's a fantastic book, and deserves to be read without any labels. It's almost a modern-day teenage ghost story - but the ghost is one we'll all have to face at one time or another, our own mortality. Dermot Bolger doesn't treat his readers like children, he makes us use our imaginations and question our darkest desires and wishes.

Contains no swearing, no sex, mild violence, no drug use, minor alchohol references, some horror.

I'm delighted I took a chance on it, and I'll definitely keep an eye out for more of Dermot Bolger's work.





Tuesday, January 22, 2013

Book Review: Bohemia by Veronika Carnaby

Hi!

When Veronika Carnaby got in touch with me to ask if I'd like to read her book, I took a look at the description and decided it was too good an opportunity to pass up. I love finding different genres to read, and a book about the Beat Generation was certainly a new experience for me.

[Image Source]


Bohemia was described by Veronika as:

Influenced by the works of Beat Generation authors and great poets, the story takes place during 1960 and chronicles a group of bohemian twenty-somethings who defy the "ideals" of a mid-twentieth century society to seek creative fulfillment. On a deeper level, it portrays the creative path that artists of all mediums tread, all the while depicting the challenges faced by youth in the '60s. Moreover, the book has also gained support from legendary jazz musician and composer, Archie Shepp, who has contributed some brief words to it.

Now - I'm not familiar with the world of jazz at all, so I had to google Archie Shepp.  I'm actually none the wiser having googled him, apologies Mr. Shepp. I didn't have to google the Beat Generation - I'm sure there will be comparisions drawn between Bohemia and Jack Kerouac's On The Road - Kerouac being one of the original generation of  bohemians and a big part of the movement in the 50's & 60's.


The Beat Generation is something that's worth a google, if you've never heard of it - it was full of fascinating characters (also, the term Hipster? Totally a Beat Generation word). Bohemia is told from the perspective of one of those characters - Valerie Freed, who aches for something more than a 9-to-5, stifled existence in the town she grew up in. With her best friend Emm, and two free-spirited lads (Jimmy and Lester), Valerie sets off on a journey that changes her life in several ways.

The writing is beautiful. Veronika manages to draw us in to this magical, creative, eccentric little community of musicians, writers, dancers and all-round like-minded people on a mission to do exactly what they want to do, and makes us feel as if we are right there with Valerie. I was aching for her to succeed, for her to accomplish something. The people she meets on her travels are fascinating, each one leaving their own little mark on Val, and I felt a little sense of loss every time one of them moved on. It's actually hard to believe that Valerie herself hasn't written the book.

It's not a fast-paced rip-roaring thriller by any means, nor is it a book that I found easy to get into. I had to give it a couple of tries (I think in all honesty this was because it's one of the only e-books I've read, I find it very odd not to have the paper book) and I'd definitely love to tackle it again in a hard copy to give different chapters the attention they deserve.  The ones in particular about The Ladybug Club were so descriptive and colourful - Veronika has a serious flair for making a particular place as much of a main character as any of the human ones. This book is - it's a journey, an insight, an experience. I can't believe this is only Veronika's first novel, nor can I believe this isn't a real first-hand account of life in 60's Bohemia.

I'm glad I stuck it out, because I won't forget Bohemia for a long time.

Also, Roxford - very cool cat.


Veronika has a blog, which you can check out HERE.




Monday, August 6, 2012

Book Review: Big Fat Love by Peter Sheridan

This book was recommended to me by my Mum, who had borrowed it from the library the previous week.

[Source: ebay.co.uk]
Peter Sheridan (brother of Jim) is an Irish author, director and playwright. He wrote and directed the movie The Borstal Boy and several acclaimed plays. Big Fat Love (also known as Every Inch of Her) was first published in Ireland in 2003.

Back Cover:

Are You Ready For Philo?

The nuns at the convent of the Good Shepherd in Dublin's North Wall certainly aren't. But on a quiet Sunday evening they find their peace shattered by an insistent knocking on the front door - and there she is. Weighing in at 240 pounds and covered in tattoos, Philo is hardly an ideal candidate for the sisterhood. Add to that the smoking, swearing and eating, and the nuns have a challenge on their hands.


But she needs refuge, so Sister Rosaleen finds she can't say no, and before long her charity is rewarded. For Philo has a heart every bit as big as her waistband and soon even the most stony-faced North Wall resident is wearing a smile. 


Larger than life in every way, Philo has brought a whole new energy to this beleaguered community. But sooner or later she will need to face up to the cracks in her own life, and the secret she's been running from for as long as she can remember...


Philo is a thirtysomething straight-talking Dublin woman who turns the convent of the Good Shepherd upside down - albeit not always in a bad way. Her influence over the nuns is both funny and touching, in particular one scene involving Sister Rosaleen and cigarettes. Philo has had a hard upbringing and uses food to deal with all of her issues, both past and present. She promises the nuns that if they let her stay, she'll help out in any way she can - and none of them have any idea just how much she will help some of the members of the local community. 

Through helping others, Philo ultimately ends up helping herself - her journey from a lost soul needing refuge to that of an independent woman taking control is an utter joy to read, and you won't be able to put it down. I was rooting for Philo from the very beginning of the book - with a character like this, it's hard not to. It's testament to the writing talent of Peter Sheridan that a man in his early fifties (at the time of writing) could write  the life story of a 30-something mother so perfectly well that I was convinced that Philo was a real person. 

Though the story is one of hope and survival, it also has its dark moments. Philo's matter-of-fact way of recalling horrific past events isn't easy to read at times, but there's so much humour scattered throughout Philo's thoughts and interactions with people that the bad stuff doesn't drag the book down. 

I recommend this book thoroughly - if only to discover the novel way Philo has of getting revenge on some of the people who have done her wrong. 

Brilliant.

S xx


Saturday, July 21, 2012

Book Review: The Memory Garden by Rachel Hore

Hey guys! I've another 400+ pager for you today.

[Source: ebay.co.uk]
Cornwall is one of those places I've never been to but always been fascinated by (nothing to do with pasties, I swear), so when I saw that the majority of this novel was set there, I was sold. Here's the back cover bit:

Lamorna Cove - a tiny bay in Cornwall, picturesque, unspoilt. A hundred years ago it was the haunt of a colony of artists. Today, Mel Pentreath hopes it is a place where she can escape the pain of her mother's death and a broken love affair, and gradually put her life back together.

Renting a cottage in the enchanting but overgrown grounds of Merryn Hall, Mel embraces her new surroundings and offers to help her landlord, Patrick Winterton, restore the garden. Soon, she is daring to believe her life can be rebuilt. Then Patrick finds some old paintings in an attic, and as he and Mel investigate the identity of the artist, they are drawn into an extraordinary tale of illicit passion and thwarted ambition from a century ago, a tale that resonates in their own lives. But how long can Mel's idyll last before reality breaks in and everything is threatened?

Shifting imperceptibly from one generation to another, The Memory Garden vividly evokes the lives of two women, born a century apart, but who face the same challenges to their happiness and survival.

Firstly, I don't think the blurb is 100% accurate. The story does shift from that of Melanie Pentreath, a writer/teacher in the 2000s, to Pearl Treglown, a servant in the early 1900s. But while Pearl is struggling with recent shocking family revelations and the effects of an illicit love affair, Melanie is trying to get over her ex-boyfriend and deal moreso with her relationship with her father than the death of her mother. The only real challenge Melanie is facing is one of her own - she needs to figure out where she belongs, and who she wants to share her future with. 

I didn't instantly find Melanie likeable - it's not that I disliked her, it's just that I couldn't get a clear picture of her in my head. Usually when I start a book, I instantly picture the character - with this book, the main character seems to be the house. I just wanted to move in and start helping to clear the vines and uncover the paths. The writer conjures up an image of somewhere that is truly idyllic - and when I googled Lamorna Cove, it was just as I imagined it to be. It's a stunning place.

The author has really done her research into the artists of Lamorna Cove - her descriptions of the paintings are bang on, as you can see for yourself if you look at some of the work by artists that she mentions (Dame Laura Knight, for example). 

Melanie's story is good, it plods along at a steady pace and there aren't too many twists or turns - there's a story arc involving a Croatian lady which I find completely unnecessary, but it doesn't take away from the overall feel of the book. It's Pearl's story, however, that made me want to devour this book. It's so beautifully written and it brings the Old Hall alive, if only for a few pages at a time. I also love how the writer wrapped Pearl's story up - it was touching and sentimental without being twee, and it closed the book on a hopeful and happy note despite the reader knowing otherwise from earlier on in the book.

All in all, a solid read and one I'd recommend, if a little too long. It almost reminded me a little of Helen Moorhouse's The Dead Summer (which I reviewed HERE), but without the ghostly element. 

S xx


Tuesday, July 17, 2012

Book Review: 50 Shades of Grey.

I'm not going to give you a traditional review of this book (I'll do a little one at the end), and I'm not going to go down the hilarious taking-the-mick/parody route that has been done so much better than I ever could (Kitty Catastrophe and Karen, to name my favourites). I'm just going to get a few little things off my heaving bosom. Sorry - my chest. It's infecting me already.

[Source]

The back cover: 

Romantic, liberating and totally addictive, this is a novel that will obsess you, possess you, and stay with you forever.

When literature student Anastasia Steele interviews the successful entrepreneur Christian Grey, she finds him very attractive and deeply intimidating. Convinced that their meeting went badly, she tries to put him out of her mind - until he turns up at the store where she works part-time, and invites her out.

Unworldly and innocent, Ana is shocked to find she wants this man. And, when he warns her to keep her distance, it only makes her want him more.

But Grey is tormented by inner demons, and consumed by the need to control. As they embark on a passionate love affair, Ana discovers more about her own desires, as well as the dark secrets Grey keeps hidden away from public view...

It doesn't sound so bad on the back, does it? I actually read the synopsis of this a while back on Amazon when they were running their 2 for 7 deal on paperbacks, and skipped it over in favour of Susan Hill's The Woman in Black. I later succumbed to all the hype and bought it in Tesco for around e7. I can honestly say, that this is without a shadow of a doubt, the worst book I have ever, EVER read, and I have been reading since I was three years old. 

Firstly, as you're all probably aware (or maybe not), this started life as a Twilight fanfic called... eh... Master of the Universe. You can read all about that HERE, where they do a couple of nifty comparisons between the two. Are we all picturing He-Man now? Yes? Good.

I don't know how it was published in its current form. The writing is so juvenile, it's actually hilarious. E.L. James writes as if she's just discovered the existence of  metaphors and similes. "She has her teeth in a book". "He's all muscles and shoulders in his t-shirt". "His voice is warm and husky like dark melted chocolate fudge caramel". I burst out laughing several times while reading it. Also, I'd like someone to tell me what "sandles" are (page 428). Bad editor. BAD. 

What I want to know is, why has the world gone 50 Shades mad?! Apparently, Virgin Atlantic will now be providing an audio copy of the book for their passengers to "enjoy". You can read the article in Cosmopolitan here. I'd like you to read, in particular, this quote from Virgin Atlantic's head of PR Fay Burgin:

"We want to give our female passengers the chance to enjoy the book in an intimate way, away from prying eyes. Of course, we can't promise to spare any blushes and can't be held responsible for any risque* behaviour that listening to the recording inspires."

Are you serious, Fay Burgin? Have you read the book? The only risque behaviour that could possibly be a result of reading this book "in an intimate way" is for someone to have an episode of the  Gerard Depardieu kind from laughing.

I'm interested, also, as to what you picture when you think of Christian Grey. For me, it's now a mash-up of He-Man, Winnie the Pooh (thanks Kitty) and this ungodly creature:


Why have women started declaring Christian Grey as "The Ultimate Man"?! What's so great about a moody prick who likes to control stupid girls? Is this what women want, a brutish bully that throws money at them and makes them feel like shit? Oh, but it's okay, is it, to want to hurt someone every time you look at them, as long as he leaves painkillers? There's nothing sexy about Christian Grey, he's a domineering asshole, yet women are gaga over this fictional idiot. He also appears to have fingers the length of bananas. Or something equally as long and impressive. Are there any Buffy fans among us? Remember the episode Hush? Remember "The Gentlemen"? That.

Type "laters baby" (worst catchphrase EVER) into eBay or Etsy and marvel at the bucketloads of cushions, rings, handcuffs, posters and other various objects emblazoned with that stupid saying. It's ridiculous. I do quite like the cake though. I could eat that cake, even if his lips are a little weird. 

Throughout the book, Ana blushes so much that someone should really send her the No.7 Rosy Tone Colour Control, and bites her lip so much that I imagine by the end of the third book in the trilogy, she'll look like this:

Ana's attitude to technology is also amazingly stupid - she refers to the laptop on more than one occasion as "the mean machine". Ana, it's a Macbook, not Optimus Prime. I won't mention her Inner Goddess for fear of exploding with rage, but I'll say this: Lizzie McGuire has a lot to answer for.

To finish up this incredibly jumbled post, I'm going to leave you with three things. One, the funniest line in the entire book. This is thought by Ana as she's tying her hair up in pigtails:

" The more girly I look, perhaps the safer I'll be from Bluebeard."

Two:  E.L. James, not content with the mysterious weirdo Christian's skeletons and his tortured past, introduces a mysterious 'Situation' to deal with towards the end of the book. Nothing makes me want to rush out and spend another 7 quid like a mysterious Situation.

And finally, Three: My actual review of the story.

50 Shades in 50 Words
Holy Cow. Hips. Long Fingers. Go. Stay. Inner Goddess. Yes.
No. Go. Stay. Cry. Bite Lip. Stay. Go. Taciturn. Breathe.
Holy Cow. Bite Lip. Stay. Go. Long Fingers. Yes. No.
Bite Lip. Cry. Holy Cow. Situation. Inner Goddess. No. Yes.
Bite Lip. Don't. Do. Cry. Long Fingers. Ow. Cry. Cry. 

I don't know how I finished it, but I did. It fried my brain - probably at the base of my medulla oblongata near where my subconscious dwells.

Please don't waste your money. Get a Harlequin Blaze. Or a comic.

S xx

*My keyboard shortcuts aren't working. Imagine there's a fada on the "e". 

Monday, July 9, 2012

Book Review: A Bend in the Road by Nicholas Sparks

To try and do something about the fifteen thousand times I hear "Mammy, I'm boreddddddddddddd" on an  average wet day, I rejoined the library and joined the 7 year old up too. Frankly I don't know why I stopped going at all, I just think I forgot about it to be honest. Our local county library only costs 2.50 per year for adults, and it was free for the little man. He was delighted - he came home on Friday afternoon the proud carer of 3 Dr. Seuss books he hadn't read, and some other disgusting looking one about giants and snot. I picked 4 this week - the first of which I read today, it's 'A Bend in the Road' by Nicholas Sparks.

[Source: www.nicholassparks.com]

A Bend in the Road is Nicholas' fifth novel, following on from well-loved novels such as The Notebook,  A Walk to Remember and Message in a Bottle. It was published in 2001. Here's the cover stuff:

Miles Ryan's life seemed to end the day his wife was killed in a hit-and-run accident two years ago. Missy had been his first love, and Miles fervently believes she will be his last. As a deputy sheriff in the North Carolina town of New Bern, he not only grieves for Missy, but longs to bring the unknown driver to justice.

Then Miles meets Sarah Andrew. The second-grade teacher of his son, Jonah, Sarah had left Baltimore after a difficult divorce to start over in the gentler surroundings of New Bern. Perhaps it is her own emotional wounds that make her sensitive to the hurt she sees first in Jonah's eyes, and then in his father's. Tentatively, Sarah and Miles reach out to each other. Soon they are both laughing for the first time in years... and falling in love.

Neither will be able to guess how closely linked they are to a shocking secret - one that will force them to question everything they ever believed in... and make a heartbreaking choice that will change their lives forever.

Although I've seen all of the movies based on Nicholas Sparks' books, I've never read any of them. I really liked this one - I loved both main characters. Miles is beautifully written as the grieving widower, the man who is trying his best not to let his obsession over finding out who killed his wife interfere with his daily life. His devotion to his son Jonah is apparent in every exchange between the two. Sarah, too, is dealing with a huge emotional burden - her divorce, and in particular the reasons for the divorce. Hearing that her ex-husband is due to be remarried also hits her in a way she wasn't expecting. Miles is different from any other man she has known, but she is uncertain how he will feel when she reveals some of her past. They're both initially nervous around each other, and it's endearing rather than annoying.

Sarah is Jonah's teacher, and agrees to give him the extra help he needs with his schoolwork after falling behind when his mother died. Miles and Sarah grow closer, until we can see them gradually opening up to each other and falling in love. It's a tender romance, one that isn't rushed, and it culminates in both characters being able to relax and enjoy the company of a kindred spirit.

As expected, something comes along to test their feelings. Miles' obsession with finding out who killed his wife reaches a dangerous level, and when Sarah discovers something disturbing, it puts her in an unenviable position. Will they be able to get through this? And will they still be together at the end of it?

I read this book in one sitting - all 445 pages of it. I couldn't put it down. The story of Miles and Sarah is told to us in the book by an unnamed man - one who is pivotal to the story. I did have my suspicions about who the mysterious male narrator was, but it didn't destroy the story for me when we discovered who it was. There is an underlying theme in the book about forgiveness, but I think it's mainly about how to move on with life and cope with past pain without letting it consume you.

Sparks managed to give both the killer and the victim's wife very similar (if not the same) issues, and I was surprised to find myself rooting for the killer at the end (I use the term 'killer' loosely, by the way). The end is a little bit twee, but all in all I really liked it and I'll be picking up a few more of Nicholas' novels the next time I'm in the library.

I despise the term chick-lit, but I'd describe this as 'chick with a kick'. It's a little meatier than some of the romance novels aimed at women (meaty as in lots to sink your teeth into, not as in that book with the word grey in the title of which we shall not speak) and all the story arcs are interesting and well-written. 

Consider me a new fan.

S xx